Posts Tagged ‘Caroline Way’


Confessions:Farmer's Wife

“I was six, he was eight. We met down my Miller’s Creek…”

Confessions from a Farmer’s Wife is a coming-of-age story set in the 1920-1940s, based on the biblical story of Job. The theme is the age-old question: why do bad things happen to good people?

From the beginning of the book, I was captured by the characters. Job Nightingale is different from any boy Jessie Bingham has ever met. He rules his life by integrity, even at the age of eight.

The first part of the story involves the childhood of Job and Jessie, and their cast of family and friends in Miller’s Creek and Grand River Junction. The author crafts a typical roller-coaster teen romance with great skill and power of emotion.

Then the troubles come. As they did to Job of the Bible. No warning, no explanation, no reasoning, no conceivable sense. Even those closest to Job begin to doubt his innocence in the face of his suffering. Will he be able to cling to his lonely faith when others have sincere reservations?

Author Caroline Way creates a compelling plot. The beginning is catchy, the tension riveting, the mood kept from becoming dismal by frequent touches of humor and exceptional word usage. Even for readers familiar with the biblical story of Job, the suspense is intense. The reader is drawn into the lives of Job and Jessie from the first page, led along by the author’s storytelling style.

I found the dialogue authentic, with clear speech patterns, no unnecessary speech tags and good beats to identify speakers. I also appreciated the deep point of view from Jessie, letting me into her head and heart, making me care about her and Job, often to the point of frustration / anger with her.

The setting is well-researched and described in detail, as well as era appropriate with nostalgic references to pre-WWII days. Even though the story is told in first person through Jessie and well-maintained throughout, we are able to learn about the other characters through Jessie’s narrative and the events of the story. The author tells the tale through a child’s point of view at the beginning, then adapts appropriately as the characters grow.

The author’s Christian worldview comes through clearly in this novel. The questions raised are universal, thus important to a broad spectrum of readers. Often as I read, I felt myself challenged to consider my understanding of and relationship with God. It is a courageous undertaking for a first-time fiction author to deal with these heavy issues, questions without answers. Caroline is to be commended for this.

I loved this book, have read it several times, and I will never forget my experience with Jessie and Job, or the things they learned on their journey to knowing God. An author must dig deeply into her own life and become vulnerable in order to share a meaningful story with readers, and I believe Ms Way has done this.

To learn more about author, Caroline Way, scroll back to my interview with her on August 12.

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Caroline Way

Caroline Way

Janice: Welcome to my blog, Caroline. I look forward to our visit today.

CAROLINE: I do too, and thank you for having me.

Janice: Have you always wanted to be a writer? When did your writing interest begin?

CAROLINE: I don’t know that I always wanted to be a writer. I have always loved to write. In high school, I would always pick the creative option out of the essay questions, rather than pick one of the “analyze the imagery in….” type of questions. In university I wrote a lot of letters – no email then (gasp!) – and once took a page from Chaucer and wrote a Canterbury Tales type of letter about the new friends I was making. I wrote a lot of plays for summer camp, and in graduate school, moved on to screenplays. It was then that I really determined writing was something I wanted to pursue in a serious way.

Janice: Who are some of the people who most influenced your decision to write?

CAROLINE: While there are certainly people who have influenced my decision to keep writing, I think the decision to start writing was born more out of different events or interactions with certain individuals.

There was a youth group leader to whom I sent the Chaucer influenced letter. When I was home on break one time, she said, “You write very good letters. You could be a writer.” I kept her words inside. Every now and then they would creep to the front of my thoughts, but I would dismiss them. Her words stayed with me. I think it served as the validation for giving in to the compulsion to write the letter in the first place. Then there was the high school teacher whose praise, after I created my own modern myth instead of the answering the other essay questions on Robertson Davies’ Fifth Business. Again a moment of validation. There were others, but really, it was while I was pursuing my Master of Arts degree in Film, that the bug took hold.

In our Principles of Christian Communication class, we were assigned the task of communicating a common Christian principle in the creative manner of our choosing. There were so many creative people selecting all manner of mediums but, I wrote. Once the idea came to me, the need to get the story down was consuming. That, combined with the resulting response, is what really pushed me in terms of making a decision to write seriously.

In terms of people who influence me to keep writing, my very good friend, Cheryl McKay would be among the top contenders. She’s a wonderful screenwriter and is now venturing into novel writing. Her honest feedback and encouragement has been invaluable. As well, I consider myself lucky to have friends who are honest in their feedback, freely expressing what they like, or what they don’t like, and taking a sort of ownership over the story in such a way as to almost be as invested in it as I am. It’s been amazing.

And of course there’s you, Jan. Your friendship and mentoring has meant so much, I don’t know if I can express it adequately. You helped keep me motivated to finish and to remain true to the characters as I went.

Janice: Well, thanks, Caroline. Your novel, Confessions from a Farmer’s Wife, released in November of 2011 with Greenbrier Book Company. How long did it take you to bring it from concept to completion?Confessions:Farmer's Wife

CAROLINE: It took a very long time. I started it just as I was finishing my MA in 1996, and didn’t finish it until 2010. I didn’t take it seriously for the first little while and let life distract me.

Janice: Tell us a bit about the book and why you wrote it.

CAROLINE: I think the story found me. The book originally started out as visual image for the beginning of a short film idea, but the more I wrote, the more I realized it was bigger than I had thought. The visual is still the beginning – two kids sitting on the bank of a creek, meeting for the first time. But even before that moment when the image came into my head, the idea behind the book came about from a remark my mother made. She had written and directed a play based on the book of Job. I don’t remember what our conversation was about when she commented that all we really know about Job’s wife is that she tells Job to curse God and die, but her comment really made me think. It struck me that she, Job’s wife, lost everything too. It would make sense that she would have a lot to feel about the matter. I started to explore the idea of what it would take for a wife to tell her husband, whom she knows values his relationship with God above everything else, to turn his back on his God and die. What did she mean by it? What was her faith like compared to that of her husband? These are the ideas I wanted to explore.

Of course, being a parallel of the Book of Job, there are certain themes that run through the book, the idea of believers suffering and who is responsible for it. What do we do when we suffer? How do we keep faith when it happens? How do we deal with God? Heavy thoughts for a novel, and I don’t try to answer these questions, because I certainly don’t have all the answers. I think that’s the main theme – What do we do when we don’t get any answers, and not just ones we don’t like?

The book is very character driven. The entire book you’re in the head of Jessie, the main character as she recounts the events in her life from the time she is six years old through young adulthood. You see the other characters through her eyes and learn what they mean to her, how she feels about them, and what impact they have on the choices she makes.

Janice: Sounds amazing, and since I’ve read it, I can attest to that fact. Are you currently working on a sequel or another novel?

CAROLINE: I am currently working a second novel with the same characters. It’s a bit of a sequel as it picks up from where the first book finished, but it’s also a prequel in that it takes us back further in time and into the lives of other characters – a different POV. I also have an idea for a sort of mystery thriller that I’m toying with. Very different from Confessions.

Janice: Cool In what genre would you classify Confessions?

CAROLINE: I would classify it as contemporary. It’s a little historical in terms of setting, but the historical events are not what drive the plot.

Janice: What is the most difficult part of the writing process for you? And your favorite part?

CAROLINE: The most difficult part of the writing process is having to pull myself out of the world I’m creating. When I’m there, I just want to stay there. When the phone rings or other things demand my attention, I get a little crabby. I resent everything that keeps me from getting back there. And yet it’s probably a good thing to touch base with reality more often than not! That’s also my favorite part. If I want readers to want to spend time with my characters, I have to want to as well. I love the feeling of sinking into the process, loosing all track of time and awareness of anything but the emotions of the character and the click of keys on the keyboard. I can feel my heart rate increase as I being. It’s a very heady feeling.

Janice: What did you learn while writing Confessions?

CAROLINE: This is tough. It was such a personal journey. While I’ve never suffered through the events that my characters have to go through, I struggled and still struggle with many of the questions that they do. I think I had to come to terms with the understanding that there are things that happen and that God, in all His wholeness as loving, just, jealous, forgiving, sovereign, and many more attributes, is God. There are many things I will never understand, but my faith is not misplaced.

Janice: Are you a planner or a pantser? Do you use any computer programs to aid your writing process?

CAROLINE: I think I’m a mix. I know where the story will end. I have to have this first. Then I can know where I want it to begin. I will have several key events that will have to happen to get me from beginning to end, but how we get to there will be anyone’s guess! I do make what I call a “shot list” – I think in film terms even when it’s a novel. This is a list of key points that need to happen either in a particular scene or to link two events. Sometimes I make the list because I know what I need to happen in advance of sitting down to write. And sometimes the list grows organically out of what is happening emotionally with the characters as I write. I’m usually thinking, “What has to happen plotwise to get my character to this point, and what is plausible in terms of story/setting etc?” But I’m also thinking about surprising the reader. I’m not always sure how successful I am, but it’s something for which I strive.

Janice: How do you promote your book? How much is your responsibility and what do you expect from your publisher?

CAROLINE: I’m an awful promoter. I don’t really do it. I have some postcards printed up with the book cover on one side and where to order it on the other, but it’s something that I’ve struggled with for a variety of reasons. My publisher doesn’t really promote, except from their website in terms of, “These are our writers, and here are there books.”

Janice: We hear so much about social media these days. Are you into that and if so, how do you use it to promote your book?

CAROLINE: I have a personal Facebook page, I’m on twitter although I can’t tell you the last time I tweeted. I had a cell phone die and haven’t downloaded the twitter app to the current phone. I also have a personal website, but again, I don’t update except maybe once every year or two. I’m pathetic because I recognize that it would be extremely beneficial to utilize the whole social media venue to promote my book, but I just hate the thought of how much time it takes. Plus, I’m not much for selling myself. I find it very difficult, as do many other writers, I’m sure. My profile picture on Facebook is my book cover, if that counts?

Janice: I think many writers understand the difficulty of promotion. How do you research and how can you be sure of your sources?

CAROLINE: I research a bit at a time. I don’t enjoy it all that much. Beyond finding what I need to be certain that where the story is going is plausible, I find it laborious. I use the Internet and the library, and I try to confirm the information with more than once source so that I can be fairly comfortable that it’s accurate. I’m not sure I always get it, but I try very hard.

Janice: Is writing your career or do you have a day job? How much time do you set aside for writing?

CAROLINE: I would love for writing to be my career, but no, I have a day job. I work as an Administrative/Executive assistant. I have a problem setting aside time to write. I commute over an hour to work each way, and when I get home I have to feed the dog, feed myself, exercise the dog…and so on. So weekday evenings are not good. I try to do some at lunch sometimes, but by the time I get in the groove, my lunch is over. I would love to keep all weekends to myself for writing but there are friends and family that I enjoy spending time with, so this is why it took me a long time to complete the first book!

Janice: I empathize! Although not all readers are writers, I know that all writers must be readers. What are you currently reading? What’s on your to-read pile? Do you read mostly print books or digital? Why?

CAROLINE: Currently, I’m not reading, which is probably why I’m not being too creative. I like a good romance when I’m on vacation, or a good mystery. I like Francine Rivers, Charles Martin and stuff like that. I don’t generally do non-fiction – I’m convinced I have a block where that’s concerned, but if the story interests me, I’ll read it. I just need strong characters that I care about. I read a mix of print and digital. I love the feel of a book in my hand, and how the accomplishment of the number of pages read turns into the disappointment of how few pages are left and wanting it to last a little longer. But I do love my e-reader for sheer convenience. Currently, I have your latest book ready to read on my Kindle, and I’m waiting for my friend Cheryl’s latest novel to be released, Song of Springhill. It’s about one of mining disasters in Springhill, Nova Scotia in the 1950s.

Janice: Enjoy the books. For reader interest, what are some of your non-work/non-writing involvements and hobbies?

CAROLINE: I love going to movies, even bad ones, although I try to avoid them I can. I also love photography. I have a couple of friends with whom I go shooting regularly. One day we’ll focus on black and white, another we play with long exposure. I’m very much a novice, but I love it.

Janice: Do you have any tips for newbie or wannabe writers?

CAROLINE: Believe in your story, but not to the extent that you turn a deaf ear to constructive criticism. It’s not personal if someone doesn’t like your writing, even if it feels that way. Not everyone will like it. Be objective about criticism, encouraged by enthusiasm, and grateful for both as it means you’ve written something and someone is reading it.

Janice: Thanks so much, Caroline, for taking time to tell us a bit about yourself and your writing. All the best in your writing future.

CAROLINE: Thanks, Jan. All the best to you as well!

Caroline Way was born in Portland, Oregon, raised in St. John’s, Newfoundland until high school, when her family moved to Ontario. Currently she lives in Hamilton, Ontario, where she received her B.A. in Drama from McMaster University. From there she went on to obtain an M.A. in Communication from Regent University in Virginia Beach, VA, where she studied film making and screenwriting. Once an active member of community theatre in both Ontario and Virginia, Caroline has always enjoyed exploring the “how” and “why” questions of the characters she portrayed, directed and created.

Caroline has worked on many types of productions, from television commercials to feature films, in a variety of capacities. She has written and directed two of her own short films as well as a documentary for the town of Pickering, Ontario, and instructional video for the Ontario Principals’ Council. Currently, Caroline works as an Executive Assistant.


Caroline’s “Blahg” is at http://www.carolineway.com 


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writerPlato said, “The beginning is the most important part of the work.”

Kimberly Yuhl suggests you have eight words to capture your reader’s attention.

Rob Weatherhead states in the article, Say it Quick, Say it Well (please excuse the grammar), that the attention span of a modern internet consumer is short. “Studies have shown that 32% of consumers will start abandoning slow sites between one and five seconds.”

Marcia Hoeck, in her article How to Capture Your Reader’s Attention, writes: “You only have a few seconds to capture someone’s attention, so don’t take chances with clever, cute, or insider language or visuals, which are often lost on people.”

Whether or not these statistics apply specifically to fiction writing is immaterial. They apply to today’s readers. Knowing these facts should motivate us to put extra effort into creating captivating openings for our stories.

I find that examples aid my understanding, so let’s take a look at some classic examples of beguiling beginnings:

* (my favorite) “There was a boy called Eustace Clarence Scrubb, and he almost deserved it.” This from C.S. Lewis’ Voyage of the Dawn Treader.

* “On November the 21st, the day of her forty-seventh birthday, and three weeks and two days before she was murdered, Rhoda Gradwyn went…” The Private Patient, by P.D. James.

* “When the coppers talk about Marsha Morgan, they start with her death—how she fell off the Chesapeake Belle and drowned in the Miles River.” From Ron and Janet Benrey’s Little White Lies.

* Khaled Hosseini’s The Kite Runner begins this way: “I became what I am today at the age of twelve, on a frigid overcast day in the winter of 1975.”

* Caroline Way’s Confessions from a Farmer’s Wife: “I am the last one. Of those whose lives I will speak of here, I alone remain.”

* Alan Bradley’s The Sweetness at the Bottom of the Pie: “It was as black in the closet as old blood. They had shoved me in and locked the door.”

What do these examples have in common?questions

– they are concise

– they raise questions for which we want answers

– they create a mood

– they suggest the kind of story that’s coming (plot driven / character driven)

– they draw us into the story

How can we create a similar effect?

– we must decide what we want to convey; what is the most important aspect of the story?

– we must ask the right questions

– we must decide what the mood of our story will be

– we must know the style of story we are writing

– we must revise and polish until the beginning is irresistible

fascinated reader

Having said all this, remember that you can tweak your beginning many times, especially after the ending has been written. After all, “What we call the beginning is often the end. And to make an end is to make a beginning. The end is where we start from” T.S. Eliot.

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